Critical Theory and PerformanceJanelle G. Reinelt, Joseph R. Roach University of Michigan Press, 1992 - 455 strán (strany) The first comprehensive survey of the major critical currents and approaches in the lively field of performance studies |
Obsah
For Whom Is the King a King? Issues of Intercultural Production Perception and Reception in a Kathakali King Lear | 16 |
Performance Theory Hmong Shamans and Cultural Politics | 41 |
Toward a Reading of Ntozake Shange and Femi Ospfisan | 65 |
Repositioning ChineseAmerican Marginality on the American Stage | 79 |
The Dramaturgy of Direct Theater | 88 |
Semiotics and Deconstruction | 107 |
Introduction | 109 |
A Semiotic Reading of The Misanthrope | 117 |
Theater History and Historiography | 291 |
Introduction | 293 |
Annie Oakley and Her Ideal Husband of No Importance | 299 |
Theater and Dialogism | 313 |
The Doubled Subject and the New Playwrights Theatre 19271929 | 324 |
Fascist Ideology and Theatricalization | 336 |
Hermeneutics and Phenomenology | 351 |
Introduction | 353 |
David Hares Fanshen | 129 |
Some Contemporary Possibilities | 146 |
After Marx | 159 |
Introduction | 161 |
Historicizing the Relations of Theatrical Production | 168 |
The Contradictions of PostCold War Criticism with an Interlude on the Politics of Jazz | 179 |
Standup Comedy and Postmodernism | 196 |
AIDS Performance Community | 208 |
Feminisms | 223 |
Introduction | 225 |
The Discourse of Camp | 231 |
Pain Praxis and Pleasure in Feminist Performance | 248 |
Gay and Lesbian Representation and Sexuality | 263 |
Feminist Historiography for EighteenthCentury British Theater | 276 |
History Hermeneutics and Narrativity | 356 |
The Phenomenological Attitude | 369 |
Psychoanalysis | 381 |
Introduction | 383 |
Politicizing Identification | 390 |
A Case Study in Psychoanalytical Ethics | 399 |
Critical Convergences | 413 |
Introduction | 415 |
TheoryHistoryRevolution | 418 |
Ideology Performance and the Illusions of Demystification | 430 |
Contributors | 447 |
| 451 | |
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