Old. Now I can read the justice of my fate, and yours Clack. Ha! Justice? Are they handling of justice? Old. But more applaud great Providence in both. Clack. Are they jeering of Justices? I watch'd for that. Hear. Ay, so methought: no, sir, the play is done. Enter SCENTWELL, AMIE, OLIVER, MARTIN. Scent. See, sir, your niece presented to you. [SPRINGLOVE takes AMIE. Clack. What, with a speech by one of the players? Speak, sir, and be not daunted; I am favourable. Spring. Then, by your favour, sir, this maiden my wife. is Clack. Sure, you are out o' your part; that is to say, you must begin again. Spring. She's mine by solemn contract, sir. Clack. You will not tell me that. Are not you my niece? Amie. I dare not, sir, deny 't; we are contracted. Clack. Nay, if we both speak together, how shall we hear one another? Mar. I must disprove the contract. Scent. None can disprove it; I am witness to it. Clack. Nay, if we all speak,- -as I said before. Old. Hear me for all, then :-Here are no beggars, (you are but one, Patrico) no rogues, nor players, but a select company, to fill this house with mirth: these are my daughters; these their husbands; and this that shall marry your niece, a gentleman, my son. I will instantly estate him in a thousand pound a year to entertain his wife, and to their heirs for ever. Do you hear me now? Clack. Now I do hear you, and I must hear you: that is to say, it is a match; that is to say -as I said before. Tal. And must I hear it too- -Oh- Hear. Nephew Martin, still the child with a suck-bottle of sack. Peace, lamb, and I'll find a wife for thee. Old. Now, Patrico, if you can quit your func- To live a moderate gentleman, I'll give you Pat. I'll be withal your faithful beadsman, and spend my whole life in prayers for you and yours. Cluck. And now, clerk Martin, give all the beggars my free pass, without all manner of correction that is to say, with a hey, get 'em gone. Oliv. Are not you the gentleman that challeng'd me, in right of your friend here? Vin. Your inspection's good, sir. Rach. And you the gentleman (I take it) that would have made beggar-sport with us two at once. Mer. For twelve pence a-piece, sir. Oliv. I hope we are all friends. [more, Spring. Now, on my duty, sir, I'll beg no But your continual love, and daily blessing. Old. Except it be at court, boy; where, if ever I come, it shall be to beg the next fool royal's place that falls. Spring. A begging epilogue yet wou'd not be, Methinks, improper to this comedy. Tho' we are now no beggars of the crew, EPILOGUE. Your suffrages, that we may beg again, 216 EXPLANATION OF THE CANT TERMS USED IN THIS PLAY. Pannum-bread. Patrico-amongst beggars, is their priest; every hedge being his parish; every wandering har lot and rogue his parishioners. The service is only the marrying of couples; which he does in a wood, under a tree, or in the open field: and the solemnity of it, says Dekkar, is this: -"The parties to be wedded, find out a dead horse, or any other beast, and standing one on the one side, and the other on the other, the Patrico bids them live together till death them part: and so, shaking hands, the wedding-dinner is kept at the next alehouse they stumble into; where the musick is nothing but knocking with cannes, and their dances none but drunken brawles." Peck-meat. Dekkar's Belman, Sign. N. Poplars of yarrum-butter milk. Prats-buttocks. Ibid. Sign. N. Quarron-the belly. Queer cove-a constable. Queer cuffin-a justice of peace. Dell-a Ruffin-the devil. Ibid. Sign. N. Dory-a strumpet. Dekkar's Belman, Sign. D 4. Ibid. Sign. E. Ruff peck-bacon. Ibid. Sign. N. Rum boose-wine. Ibid. Sign. N. Gage-a quart-pot. Ibid. Sign. N. Salmon or rather salomon, the Beggars Oath. Gan-a mouth. Ibid. Sign, N. Ibid. Sign. T 3. Gentry cofe's feast-gentleman's feast. Sign. N. Glaziers-eyes. Ibid. Sign. N. Skipper-a barn. Ibid. Grunter-pig. Stampers-shoes. Ibid. Harmanbeck-a constable. Ibid. Strummel-straw. Ibid. Tib of the buttery—a goose. Lap-porridge. Margery prater—a hen. Ibid. Sign. N. Mort-a woman, or wench. Toure-see, look out. Upright man-See a Description of an Upright Man. Dekkar's Belman of Londou, C 4. Walking morts-are older than doxies, and profess themselves to be widows. See Dekkar's Belman, Sign. E. EDITION. A Joviall Crew; or, the Merry Beggars. Presented in a Comedie, at the Cock-pit, in Drury Lane, in the year 1641. Written by Richard Brome. London: Printed by J. Y. for F. D. and N. E. and are to be sold at The Gun, in Ivy Lane. THE OLD COUPLE. BY THOMAS MAY, Esq., DRAMATIS PERSONE. Sir ARGENT SCRAPE, an old covetous rich | TRUSTY, the Lady Cover's Steward. Knight. EARTHWORM, an old miserly Niggard. Mr FREEMAN. EUGENY, Sir ARGENT SCRAPE'S Nephew. THEODORE, EARTHWORM'S virtuous Son. DOTTEREL, a Gull, married to Lady WHIMSEY. JASPER, EARTHWORM's Servant. Three Neighbours of EARTHWORM's. Officers. The Lady COVET, betrothed to Sir ARGENT SCRAPE. MATILDA, (EARTHWORM's Niece,) SCUDMORE'S Love. ARTEMIA, (FREEMAN's Daughter,) EUGENY's Love. The Lady WHIMSEY, married to DOTTEREL. When death and danger dog my vent'rous steps. But welcome danger, since thou find'st so fair A recompence, as my Artemia's sight. ARTEMIA, EUGENY. Art. And art thou come, my dearest Eugeny? Has thy true love broke through so many hazards To visit me? I pr'ythee chide my fondness, That did command thee such a dangerous task. I did repent it since, and was in hope Thou would'st not come. Eug. Why hop'd Artemia so? Wouldst thou not see me then? Or can the hazard Of ten such lives as mine is, countervail heart Which is thy captive, Eugeny, and lives In nothing happy but in thee? Eug. Ah! love, There lies my greatest sorrow; that the storms Of spiteful fortune, which o'erwhelm my state, Should draw thy constant goodness to a suff'ring: A goodness worthy of the happiest man. Art. Those storms of fortune will be soon o'er-blown, When once thy cause shall be but truly known; That chance, not malice, wrought it; and thy pardon Will be with ease obtain'd. Eug. It may be, love, If old Sir Argent do deal truly in it. Art. But keep thyself conceal'd; do not Venture two lives in one: or when thou com'st, | Enjoy a friend, whose sweet society Eug. Within the covert of yon shady wood, Which clothes the mountain's rough and craggy top; A little hovel built of boughs and reeds Art. Just so alone am I; nay, want the pre Art. What wonder's this Whom thou describ'st? Eug. But I in vain, alas! Do strive to make with my imperfect skill Art. What is his name? Rich Earthworm's son; lately come home from travel. Art. Oh heavens! his son! Can such a caitif Hated and curs'd by all, have such a son? That live about him: Never has commerce And never look'd upon, but with a curse. fame. Art. Oh! love, his fame cannot be redeemed From obloquy; but thee I trust so far, As highly to esteem his worthy son. Eug. That man is all, and more than I have said: His wond'rous virtues will hereafter make That stands alone, beside yon grove of trees: EUPHUES, DOTTEREL, BARNET. Dot. Oh, yes, by any means, sir. Euph. What's your reason? Dot. A crotchet, sir, a crotchet that I have: Here's one can tell you I have twenty of 'em. Bar. Euphues, dissuade him not; he is resolv'd To keep his birth and fortunes both conceal'd; Yet win her so, or no way: He would know Whether himself be truly lov'd, or no, And not his fortunes only. Euph. Well, access You have already found; pursue it, sir; Would put on all his colours; stretch t' appear Dot. Alas, sir, what is a gentleman's time? Can never lose their time, whate'er they do: Bar. I warrant thee; And in those books, he says, he finds examples Of greatest beauties, that have so been won. Euph. Oh! in Parismus, and the Knight o' th' Sun: Are those your authors? Dot. Yes, and those are good ones: Why should a man of worth, though but a shepherd, Despair to get the love of a king's daughter? Euph. I pr'ythee, Barnet, how hast thou screw'd up This fool to such a monstrous confidence? Bar. He needs no screwing up; but let him have Enter Lady WHIMSEY, ARTEMIA. L. Whim. I thought, sweet-heart, th' had'st wanted company. Art. Why, so I did; yours, madam. Your house had been so full of gallants now, Euph. Your poor servant, madam. L. Whim. I was confessing of your cousin here About th' affairs of love. 2 Euph. Your ladyship, I hope, will shrieve her gently. L. Whim. But I tell her She shall not thank me now for seeing her, Euph. A suitor! He is very hard L. Whim. Yes, my suit's for money; Bar. His money would do well, without him self. L. Whim. And with himself. Should too much wrong your beauty, to bestow it Euph. That's true, Barnet, If she should bar all other men; but that Art. Do you hear my cousin, madam? Euph. I think you wond'rous wise. L. Whim. In what? Euph. In that That inakes or mars a woman, I mean love. Euph I think you understand so well What the true use of man is, that you'll ne'er Trouble your thoughts with care, or spoil your beauty 2 Your ladyship, I hope, will shrieve her gently—i. e. shrive her, hear her at confession. So, in Shakspeare's King Richard III. "What, talking with a priest, lord Chamberlain ? See also Note 67 to Gammer Gurton's Needle, Vol. I. p. 118. S. |