MacbethPenguin, 1967 - 200 strán (strany) In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 11.
Strana 36
... has future greatness foretold him by Rosie cutting the cards ; urged on by his newly wed and ambi- tious wife , he kills Duca on a lakeshore diving - raft ( ' the knife knows where to go , Joe . Just follow 36 INTRODUCTION.
... has future greatness foretold him by Rosie cutting the cards ; urged on by his newly wed and ambi- tious wife , he kills Duca on a lakeshore diving - raft ( ' the knife knows where to go , Joe . Just follow 36 INTRODUCTION.
Strana 37
William Shakespeare G. K. Hunter. knife knows where to go , Joe . Just follow it ' ) ; and later has also to kill Bankie , his former friend . The Chicago inter- gang bloodbath provides a convincing translation of the final scenes of the ...
William Shakespeare G. K. Hunter. knife knows where to go , Joe . Just follow it ' ) ; and later has also to kill Bankie , his former friend . The Chicago inter- gang bloodbath provides a convincing translation of the final scenes of the ...
Strana 45
... follow that the words of Act III , scene 5 , or of the two iambic passages in Act IV , scene 1 , were also written by Middle- ton . They are not in the least like the witch - rhetoric of The Witch . They exist to introduce the balletic ...
... follow that the words of Act III , scene 5 , or of the two iambic passages in Act IV , scene 1 , were also written by Middle- ton . They are not in the least like the witch - rhetoric of The Witch . They exist to introduce the balletic ...
Strana 68
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Strana 148
Prepáčte, obsah tejto strany je neprístupný.
Prepáčte, obsah tejto strany je neprístupný.
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD