MacbethPenguin, 1967 - 200 strán (strany) In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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Strana 19
... royal seat that his children are going to inherit . The surface of mutual congratulation is shattered . The scene may begin with : " You know your own degrees , sit down ' - a paradigm of order - but it soon emerges ( III.4 . 108-9 ) ...
... royal seat that his children are going to inherit . The surface of mutual congratulation is shattered . The scene may begin with : " You know your own degrees , sit down ' - a paradigm of order - but it soon emerges ( III.4 . 108-9 ) ...
Strana 29
... royal guest , King Christian IV of Denmark , some time during the latter's visit to England - 17 July to 11 August 1606. It has been argued that the performance took place at Hampton Court on 7 August 1606 , one of the three occasions ...
... royal guest , King Christian IV of Denmark , some time during the latter's visit to England - 17 July to 11 August 1606. It has been argued that the performance took place at Hampton Court on 7 August 1606 , one of the three occasions ...
Strana 38
... royal guest , King Christian IV of Denmark . The play seems designed to catch at several of James's obsessive in- terests : first of all at his interest in his native country and its past , and in particular at his pride in his own ...
... royal guest , King Christian IV of Denmark . The play seems designed to catch at several of James's obsessive in- terests : first of all at his interest in his native country and its past , and in particular at his pride in his own ...
Strana 39
... royal position that James was so concerned about . Act IV , scene 3 , is largely concerned with definition of ' the king - becoming graces ' , and its report of Edward the Confessor's virtues is used to establish the potency of virtuous ...
... royal position that James was so concerned about . Act IV , scene 3 , is largely concerned with definition of ' the king - becoming graces ' , and its report of Edward the Confessor's virtues is used to establish the potency of virtuous ...
Strana 47
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Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD