A Rhetorical Grammar: In which Improprieties in Reading and Speaking are Detected, and the True Sources of Elegant Pronunciation are Pointed Out : with a Complete Analysis of the Voice, Showing Its Specific Modifications, and how They May be Applied to Different Species of Sentences and the Several Figures of Rhetoric : to which are Added Outlines of Composition, Or Plain Rules for Writing Orations and Speaking Them in PublicCummings and Hilliard, 1822 - 383 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 87.
Strana viii
... Force On Emphatic Force - What it is that constitutes Emphasis 133 - 137 138 141 On the different Forces of Emphatic Words 145 On the propriety of marking Emphatic Words 148 A method of marking the different Forces of Words 149 Utility ...
... Force On Emphatic Force - What it is that constitutes Emphasis 133 - 137 138 141 On the different Forces of Emphatic Words 145 On the propriety of marking Emphatic Words 148 A method of marking the different Forces of Words 149 Utility ...
Strana 30
... force as we please to this letter at the beginning of a word , without producing any harshness to the ear . Thus , Rome , river , rage , may have the r as forcible as in Ireland ; but bar , bard , card , regard , & c . must have it ...
... force as we please to this letter at the beginning of a word , without producing any harshness to the ear . Thus , Rome , river , rage , may have the r as forcible as in Ireland ; but bar , bard , card , regard , & c . must have it ...
Strana 49
... force on them ; as in the phrases , " I spoke to you about it long ago . " - " He went to you about some important business . " - In these phrases , where you is without accent or emphasis , and is 7 RHETORICAL GRAMMAR . 49 How to ...
... force on them ; as in the phrases , " I spoke to you about it long ago . " - " He went to you about some important business . " - In these phrases , where you is without accent or emphasis , and is 7 RHETORICAL GRAMMAR . 49 How to ...
Strana 51
... force , beauty , and variety , of which it is susceptible : the first of these considerations belongs to grammar , and the last to rhetoric . The sense of an author being the first object of reading , it will be necessary to inquire ...
... force , beauty , and variety , of which it is susceptible : the first of these considerations belongs to grammar , and the last to rhetoric . The sense of an author being the first object of reading , it will be necessary to inquire ...
Strana 80
... force of the Hebrew conjugations . Locke . There is the greater necessity for attending to this rule , as we so frequently find it neglected in printing . For fear of crowding the line with points , and appear- ing to clog the sense to ...
... force of the Hebrew conjugations . Locke . There is the greater necessity for attending to this rule , as we so frequently find it neglected in printing . For fear of crowding the line with points , and appear- ing to clog the sense to ...
Obsah
xi | |
17 | |
24 | |
30 | |
37 | |
47 | |
53 | |
65 | |
204 | |
210 | |
218 | |
233 | |
240 | |
247 | |
249 | |
256 | |
71 | |
79 | |
104 | |
130 | |
145 | |
155 | |
162 | |
169 | |
178 | |
184 | |
190 | |
198 | |
262 | |
276 | |
286 | |
292 | |
303 | |
314 | |
324 | |
333 | |
343 | |
351 | |
362 | |
370 | |
Časté výrazy a frázy
ablative absolute accent admit Anacoenosis arguments asyndeton attention beauty begins Cæsar cæsura called character Cicero circumflex Clodius comma common composition considered Demosthenes depends diphthong discourse distinct distinguished Elements of Elocution emphasis emphatic words endeavour example express falling inflection figure following sentence force former give higher tone honour Ibid idea inflection of voice instance interrogation interrogative words Julius Cæsar kind language latter likewise long pause loose sentence loud lower tone manner Mark Antony marked meaning Milo mind monotone nature necessary object observed orator ornament Paradise Lost particular passage passion perceive perfect sense period person phatical Pompey pronounced pronunciation proper punctuation question Quintilian reader reading reason requires rhetoric rising inflection rule says semicolon short pause slide sound speaker speaking Spect Spectator style syllable tence thing tion tone of voice variety verb verse virtue vowels whole writing
Populárne pasáže
Strana 226 - And when the sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown that Sylvan loves Of pine, or monumental oak, Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallowed haunt.
Strana 176 - Vice is a monster of so frightful mien, As, to be hated, needs but to be seen ; Yet seen too oft, familiar with her face, We first endure, then pity, then embrace.
Strana 43 - O thou that, with surpassing glory crowned, Look'st from thy sole dominion like the god Of this new World — at whose sight all the stars Hide their diminished heads — to thee I call, But with no friendly voice, and add thy name, 0 Sun, to tell thee how I hate thy beams, That bring to my remembrance from what state 1 fell, how glorious once above thy Sphere...
Strana 172 - While from the bounded level of our mind Short views we take, nor see the lengths behind : But more...
Strana 244 - Annual for me, the grape, the rose renew The juice nectareous, and the balmy dew; For me, the mine a thousand treasures brings; For me, health gushes from a thousand springs; Seas roll to waft me, suns to light me rise; My foot-stool earth, my canopy the skies.
Strana 176 - All Nature is but art, unknown to thee All chance, direction, which thou canst not see; All discord, harmony not understood; All partial evil, universal good: And, spite of pride, in erring reason's spite, One truth is clear, Whatever is, is right.
Strana 177 - When the proud steed shall know why man restrains His fiery course, or drives him o'er the plains ; When the dull ox, why now he breaks the clod, Is now a victim, and now Egypt's god : Then shall man's pride and dulness comprehend His actions', passions', being's use and end ; Why doing, suffering, check'd, impell'd; and why This hour a slave, the next a deity.
Strana 169 - Hurled headlong flaming from the ethereal sky With hideous ruin and combustion down To bottomless perdition, there to dwell In adamantine* chains and penal fire, Who durst defy the Omnipotent to arms.
Strana 242 - So cowardly ; and, but for these vile guns, He would himself have been a soldier.
Strana 243 - tis true, this god did shake : His coward lips did from their colour fly, And that same eye whose bend doth awe the world Did lose his lustre : I did hear him groan : Ay, and that tongue of his that bade the Romans Mark him and write his speeches in their books, Alas, it cried ' Give me some drink, Titinius,