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acquired appeared artist authors beauty becomes beginning called classical Coleridge compared composition correct course criticism direction English example expression fact familiar feeling follows genius give given habit hand heart hope human idea imagination influence interest Italy kind knowledge labor language leading learning less letter lines literary literature living look matter means merely method Milton mind nature never object observation original pass passage perfection perhaps person poem poet poetic poetry possible practice present principles production reason reference relation result seems seen sense Shakespeare shows side sometimes sources speak spirit stanza student style suggest things thought tion true truth verse whole Wordsworth write written young
Strana 170 - O'er-picturing that Venus, where we see The fancy outwork nature: on each side her Stood pretty dimpled boys, like smiling Cupids, With divers-colour'd fans, whose wind did seem To glow the delicate cheeks which they did cool, And what they undid, did. Agr: O, rare for Antony! Eno: Her gentlewomen, like the Nereides, So many mermaids, tended her i...
Strana 54 - Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learned from him, that poetry, even that of the loftiest and, seemingly, that of the wildest odes, had a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes. In the truly great poets, he would say, there is a reason assignable, not only for every word, but for the position...
Strana 68 - ... from the end of one line to the beginning of the next, but writes them just below the rest of the word and draws a loop around them.
Strana 150 - For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are ; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them.
Strana 187 - I have gone the whole round of creation: I saw and I spoke. I, a work of God's hand for that purpose, received in my brain, And pronounced on, the rest of his handwork, — returned him again His creation's approval or censure; I spoke as I saw. I report, as a man may of God's work: all's love, yet all's law.
Strana 224 - For we know in part, and we prophesy in part. But when that which is perfect is come, then that which is in part shall be done away. When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.
Strana 223 - This spiritual Love acts not nor can exist Without Imagination, which, in truth, Is but another name for absolute power And clearest insight, amplitude of mind, And Reason in her most exalted mood.
Strana 88 - Whenever I read a book or a passage that particularly pleased me, in which a thing was said or an effect rendered with propriety, in which there was either some conspicuous force or some happy distinction in the style, I must sit down at once and set myself to ape that quality. I was unsuccessful, and I knew it; and tried again, and was again unsuccessful and always unsuccessful; but at least in these vain bouts, 1 got some practice in rhythm, in harmony, in construction and the co-ordination of...