experience reasonably within the range of the pupils' comprehension becomes the chief criterion. Value as a means of training in method of approach also ranks high. Excellence is thought necessary for the cultivation of taste and judgment, but it must be seen to be excellence by contrast with that less worthy. And since the object of the work is in large part to establish well-regulated habits of reading magazines and books in ordinary life, the contemporary must be included side by side with the classical. Contemporary art must, however, not be thought of as necessarily youthful because it is new nor the classics mature because they are old. It is the author's attitudes, his way of thinking and feeling about his subject, that must determine. Several numbers will compose the present series, at least one for each school grade. The pupils will first be introduced to the systematic study of literature by means of typical experiences in reading a variety of pieces in verse and prose, selected not only because they are worth-while in themselves and suited in theme and treatment to early high-school years but because they are representative of the problems which pieces of their class present. The pupils will be made to realize that they are learning how to read. Succeeding numbers will stress American and British ideas and ideals brought into comparison with those of other countries, and while carrying forward, enforcing, and enlarging the training in methods of reading and study developed in the first part of the course, will show the pupil how he may find in the writings of representative authors forceful expression of interests and points of view which he can begin to recognize as more or less characteristic of the people of the country as a whole. In a word, he is started on the way to finding in literature a reflection not only of the life of individuals but also of the life common to groups, communities, and nations. The present volume, though the first of the series to appear, is planned as part of a progressive scheme, and while well-adapted to the upper years of any secondary school course will prove most effective in classes which have had the advantage of using the earlier volumes in the series. In her Study of the Types of Literature Miss Rich has at last. provided a way of escape from the over-mature and formal history of English literature, on the one hand, and the over-minute and pedantic study of three or four examinable masterpieces on the other. Recognizing the need of organizing one's knowledge of lit erature, she has provided for the closing years of high-school work a comparatively simple and objective view of literature as a whole and thus has enabled the young man or young woman about to go out into life or on into college to bring all of his reading into perspective and so to generalize his experiences with various types of writing that he has a good working basis for further adventures. It is remarkable that she should have been able in so small a space to compass so much and with such admira' le restraint. The temptation to indulge in critical estimates, to trace literary influences, and to purvey details of authors' lives must have been considerable. The necessary apparatus for gaining a really useful knowledge of books and authors she has, however, painstakingly supplied. The pupil need go no farther to find the essential facts as to who wrote what and when-such facts at least as a young person can probably find use for. And other facts may wait till needed. In reality they usually do, courses of study and textbook makers to the contrary notwithstanding. CONTENTS Reasons for the Study of Literature.-The Aim of True Literature. -Divisions of Literature.-Outline of Literary Types.-Importance of Poetry. The Great Classes of Poetry.-Minor Forms of Poetry. Characteristics of the Great Epic.-The Great Epics of the World.— Suggestions to Students.-The Great Epics of England: "Beowulf." "Paradise Lost."-"Paradise Regained."-"Drake "-Suggestions to Students. Some Other Works Closely Allied to the Great Epic.- Suggestions to Students.-Review. CHAPTER II. THE METRICAL ROMANCE . Characteristics of the Metrical Romance.-The Earlier Romances in England.-"Sir Gawain and the Green Knight."-Suggestions to Students. "The Faerie Queene."-Suggestions to Students.—Later Metrical Romances.-Optional Readings.-Suggestions to Students. The Origin of the Ballad.—Characteristics of the Ballad.-Classifi- cation of Ballads:-The Ballad Metre.-Suggestions to Students.- Some Well Known Ballads: "The Twa Sisters."-The Cruel Brother."-"Baby Lon: Or the Bonnie Banks of Fordie."-"The Wife of Usher's Well "-"Hind Horn."-"Sir Patrick Spens "-Bal- lads for Outside Readings.-Imitation Ballads: "The Ballad of the Oysterman" (Holmes).-"Rosabelle" (Scott).-"The Well of St. Keyne" (Southey).—“La Belle Dame Sans Merci” (Keats).-List of Characteristics of the Metrical Tale-Chaucer's "Canterbury Tales" -Some Other Groups of Metrical Tales.-Suggestions to Students - Examples of Single Metrical Tales: "The Highwayman" (Noves). Characteristics of the Ode.-Some Examples of the Ode: "Alexan- der's Feast" (Dryden).—Suggestions to Students.-"Ode on Intima- tions of Immortality" (Wordsworth).-Suggestions to Students.- "Ode to the West Wind" (Shelley).-Suggestions to Students.-"Lin- coln, the Man of the People" (Edwin Markham).-"A Song of Vic- tory" (Edwin Markham).—List of Great Odes for Optional Reading. Characteristics of the Sonnet.-Early Sonnets in England.-Later Sonnet Writers.-Study of the Sonnet.-Shakespeare's Sonnets: XXIX, XXX.-Milton's "Sonnet on His Blindness."-Wordsworth's "Composed upon Westminster Bridge, 1802," and "London, 1802.”— Keats's "On First Looking into Chapman's Homer.”—Mrs. Brown- ing's Sonnet XLIII from "Sonnets from the Portuguese."-Longfel- low's "Nature."-Van Dyke's "Work."-Unermeyer's "Voices."-Sug- Characteristics of the Elegy.-The Great English Elegies.-Milton's "Lycidas."-Notes on "Lycidas."-Suggestions to Students.-Some Well Known Elegies: Dirge from "Cymbeline" (Shakespeare).— "Lament for Culloden" (Burns).-"A Bard's Epitaph" (Burns).— "She Dwelt Among the Untrodden Ways" (Wordsworth) -"Coro- nach" (Scott).-"Elegy" (Byron).-Extracts from "Adonais" (Shel- ley) -Extracts from "In Memoriam" (Tennyson).—“Break, Break, CHAPTER IV. THE SONG: SACRED AND SECULAR Distinction Between the Song and Other Lyrics.-Songs by Noted Poets-Shakespeare's Songs: From "Midsummer Night's Dream"; from "Cymbeline": from "Two Gentlemen of Verona"; from "Love's Labour's Lost"; "Blow, Blow, Thou Winter Wind," from "As You Like It"; "Under the Greenwood Tree," from "As You Like It."- Ben Jonson's "Song to Celia."-Burns's "Scots Wha Hae Wi' Wal- lace Bled." "John Anderson," and "Ae Fond Kiss."-Moore's "The Harp That Once Through Tara's Halls "-Tennyson's "Blow, Bugle, Blow."-Longfellow's "The Arrow and the Song."-Field's "Little Blue Pigeon."-Alfred Noyes's "Slumber Songs of the Madonna" (Stanza I).—Some Well Known Songs.—A Group of Patriotic Songs, |