The Lyre and the Oaten Flute: Garcilaso and the Pastoral

Albanio amorous appears Arcadia artistic become begins beloved bucolic called Catullus century chapter classical closely context continues contrast criticism death dedication earlier elegy epic example expression fact feeling figure final Garcilaso gives hand hendecasyllables idylls images imitated important Italian Italy lament land landscape language later Latin legend less lines literary loss lover lyric means mode motif myth mythological narrative nature Nemoroso never nymphs Origine passion pastoral perhaps Petrarch Petrarchan pieces poems poet poetic poetry positive present probably Propertius relation Renaissance river Salicio Sannazaro second eclogue seems shepherds sing song sonnet Spanish stanza story structure style takes Theocritus third eclogue tradition treatment turn University verse Virgil Virgil's Eclogue Virgilian whole woman writing