Aphra Behn's AfterlifeOxford University Press, 2000 - 309 strán (strany) Aphra Behn, now becoming recognized as a major Restoration figure, is especially significant as an early example of a successful professional woman writer: an important and often troubling role-model for later generations of women. This book shows that her influence on eighteenth-century literature was far-reaching. Because literary history was (and to an extent still is) based on notions of patrilineal succession, it has been difficult to recognize the generative work of women's texts among male writers. This book suggests that Behn had 'sons' as well as 'daughters' and argues that we need a feminist revision of the notion of literary influence. Behn's reputation was very different in different genres. The book analyses her reception as a poet, a novelist, and a dramatist, showing how reactions to her became an important part of the creation of the English literary canon. |
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Strana 89
... Haywood , who both wrote scandal - novels , were seen as Behn's successors . James Sterling put the three women together in an encomium poem he wrote for Eliza Haywood in the 1720s , as ' the fair Triumvirate of Wit ' , a female version ...
... Haywood , who both wrote scandal - novels , were seen as Behn's successors . James Sterling put the three women together in an encomium poem he wrote for Eliza Haywood in the 1720s , as ' the fair Triumvirate of Wit ' , a female version ...
Strana 91
... Haywood , as Ros Ballaster has shown , were given a crucial negative role in the creation of the Richardsonian domestic novel of sentiment that became such a dominant form in the late eighteenth century . Both Richardson and Fielding ...
... Haywood , as Ros Ballaster has shown , were given a crucial negative role in the creation of the Richardsonian domestic novel of sentiment that became such a dominant form in the late eighteenth century . Both Richardson and Fielding ...
Strana 93
... Haywood , Richardson deals with these ' mothers of the novel ' by vilifying them and then denying their sig- nificance . Lilith was evil , and didn't exist anyway ; and Richardson is happy to give tender advice to Eve . So successfully ...
... Haywood , Richardson deals with these ' mothers of the novel ' by vilifying them and then denying their sig- nificance . Lilith was evil , and didn't exist anyway ; and Richardson is happy to give tender advice to Eve . So successfully ...
Obsah
Introduction I | 1 |
The Behn Myth 19 68 | 19 |
The Dramatist and the Novelist | 62 |
Autorské práva | |
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Aphra Behn's Afterlife Jane Spencer,Senior Lecturer in English Literature Jane Spencer Obmedzený náhľad - 2000 |
Aphra Behn's Afterlife Jane Spencer,Senior Lecturer in English Literature Jane Spencer Obmedzený náhľad - 2000 |
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adaptation Agnes de Castro altered amorous Angellica anti-slavery Aphra Behn Astrea audience Behn's Behn's fiction Behn's novel Behn's plays British Byam Cambridge canon Centlivre century characters Charles Gildon claim comedy comic Cowley critics Delarivier Manley discussion drama dramatist Drury Lane Dryden early edition eighteenth eighteenth-century Eliza Haywood English favour feminine Gildon Hannah Cowley Hawkesworth Haywood Hellena hero heroine Histories and Novels honour Imoinda influence John John Dryden Jonson Katherine Philips Killigrew Lady later letters literary London Love Love-Letters lover Lucky Chance male Manley Manley's marriage Mary Pix Memoirs moral Muse narrator novelists Orinda Oroonoko Oxford performed play's playwrights poem poetic poetry poets political popular praise prince promptbook published reputation Restoration Restoration comedy revised revived Richardson role Rover Sappho scene seen sexual slavery slaves Southerne Southerne's stage story success Surinam Theatre theatrical Thomas Thomas Southerne Thomaso tion tradition tragedy translation University Press verse Willmore Willmore's woman women writers