There, in the arms of ROMAN fcience nurs'd, 425 The fage POUSSIN, with pureft fancy fraught, * The bloom of beauty, and the warmth of life. 430 Then rofe LE BRUN, his fcholar, and his friend, † Thy dawn, LE SUEUR, announc'd a happier taste, ‡ With fancy glowing, and with judgment chafte : But Art, who gloried in thy rifing bloom, * Ver. 427. See NOTE XXXVI. ་ These lights withdrawn, Confufion and Misrule Seize the vain pencil of the Gallic school: Tho' FRESNOY teaches, in Horatian fong, 446 450 Prolific ftill the wounded Hydra springs : Gods roll'd on gods encumber every hall, And faints, convulfive, o'er the chapel sprawl. Bombaft is Grandeur, Affectation Grace, 455 Beauty's soft smile is turn'd to pert grimace; Loaded with dress, fupremely fine advance Old HOMER's heroes, with the airs of FRANCE. Indignant Art disclaim'd the motley crew, * Ver. 447. See NOTE XXXIX. END OF THE FIRST EPISTLE, 460 EPISTLE ARGUMENT OF THE SECOND EPISTLE. The rife of Painting in England, and the reafons for its happening fo late.-The rapidity of its improvement. -A flight fketch of the most eminent living Artifts in England. The author's wish to fee his friend among the first of that number-His reafons for hoping it. -The reputation of a Painter in fome degree owing to a happy choice of subjects—A few recommended from national events—and from Milton and Shakespeare. -Conclufion.-Author's wishes for his friend's fuc cess. AN ESSAY ON PAINTING. EPISTLE II. NGENUOUS ROMNEY, whom thy merits raise IN To the pure fummits of unclouded praise; At length we view thee in this favor'd Ifle, That greets thy presence, and deserves thy smile: And rich in Spirit as thy Greeks of old. 5 10. |