Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 38.
Strana 86
Carlyle Paff Hedrick. CHAPTER 4 TWELFTH NIGHT Twelfth Night , written in 1601/2 , between As You Like It and 106 Troilus and Cressida , may justifiably be discussed as a transi- tional play . It retains the essential characteristics of ...
Carlyle Paff Hedrick. CHAPTER 4 TWELFTH NIGHT Twelfth Night , written in 1601/2 , between As You Like It and 106 Troilus and Cressida , may justifiably be discussed as a transi- tional play . It retains the essential characteristics of ...
Strana 90
... Night are , most probably , the Italian comedy " Gl'Ingannati " and / or one of the several plays modelled upon it , and , more certainly , the narrative version of that story 111 found in Barnaby Riche's Farewell to Military Profession ...
... Night are , most probably , the Italian comedy " Gl'Ingannati " and / or one of the several plays modelled upon it , and , more certainly , the narrative version of that story 111 found in Barnaby Riche's Farewell to Military Profession ...
Strana 226
... Night . 107 Always excluding Touchstone , whose " loving voyage / Is but for two months victuall'd . " 108 . This disparity in awareness between character and character and between character and audience is the central focus of Bertrand ...
... Night . 107 Always excluding Touchstone , whose " loving voyage / Is but for two months victuall'd . " 108 . This disparity in awareness between character and character and between character and audience is the central focus of Bertrand ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom