Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
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Strana 65
... Shylock uses similar language when considering his loan to Antonio , but gives the words a more limited definition . He insists upon time to deliberate , and when he considers Antonio's " goodness , " the word connotes only financial ...
... Shylock uses similar language when considering his loan to Antonio , but gives the words a more limited definition . He insists upon time to deliberate , and when he considers Antonio's " goodness , " the word connotes only financial ...
Strana 72
... Shylock is one of the more fully realized antagonists in Shakespearean comedy . A striking difference between Shakespeare's play and its probable source , " Il Pecorone , " is their different treatment of the character of " the Jew ...
... Shylock is one of the more fully realized antagonists in Shakespearean comedy . A striking difference between Shakespeare's play and its probable source , " Il Pecorone , " is their different treatment of the character of " the Jew ...
Strana 76
Carlyle Paff Hedrick. scene is predicated on contrasts : mission . Shylock's fury and Antonio's sub- Shylock's desires are " wolvish , bloody , starv'd , and raven- ous , " but Antonio is " arm'd / To suffer , with a quietness of spirit ...
Carlyle Paff Hedrick. scene is predicated on contrasts : mission . Shylock's fury and Antonio's sub- Shylock's desires are " wolvish , bloody , starv'd , and raven- ous , " but Antonio is " arm'd / To suffer , with a quietness of spirit ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom