Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
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Strana 109
... Troilus and Cressida and the final romances . Troilus and Cressida is not a part of the main pattern of Shakespeare's comic development , and possibly was never intended as 133 comedy at all . It dramatizes a portion of a familiar story ...
... Troilus and Cressida and the final romances . Troilus and Cressida is not a part of the main pattern of Shakespeare's comic development , and possibly was never intended as 133 comedy at all . It dramatizes a portion of a familiar story ...
Strana 112
... Troilus and Cressida , nor does it attempt to dramatize a growth in wisdom as does All's Well that Ends Well ... Troilus and Cressida illuminates . It is necessary to include a discussion of Troilus and Cressida when tracing ...
... Troilus and Cressida , nor does it attempt to dramatize a growth in wisdom as does All's Well that Ends Well ... Troilus and Cressida illuminates . It is necessary to include a discussion of Troilus and Cressida when tracing ...
Strana 231
... Troilus and Cressida , English Literary Renaissance , 3 ( 1973 ) , 155 : " Shakespeare's real interest it seems , is less in analysis of character than in a tragically conceived pattern of desire , endeavor , and achievement in which ...
... Troilus and Cressida , English Literary Renaissance , 3 ( 1973 ) , 155 : " Shakespeare's real interest it seems , is less in analysis of character than in a tragically conceived pattern of desire , endeavor , and achievement in which ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom