Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
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Strana 34
... appear and reappear , and Shakespeare seems more interested in trying out new voices than in echoing old ones . 61 The first of his comedies , The Comedy of Errors , is a close re- 62 working of two Roman plays by Plautus , and displays ...
... appear and reappear , and Shakespeare seems more interested in trying out new voices than in echoing old ones . 61 The first of his comedies , The Comedy of Errors , is a close re- 62 working of two Roman plays by Plautus , and displays ...
Strana 95
... appears on stage , Orsino and Olivia are presented , and characterized by their misuse of psychological theory . Orsino first appears in a short introductory scene which reveals that he is fascinated by his passion for Olivia and plans ...
... appears on stage , Orsino and Olivia are presented , and characterized by their misuse of psychological theory . Orsino first appears in a short introductory scene which reveals that he is fascinated by his passion for Olivia and plans ...
Strana 98
... appear on the stage until the end of the first act , is described in the first scene , and her resemblance to Orsino ... appears on stage at the end of the first act . Despite herself , she is amused by the clown's catechism proving that ...
... appear on the stage until the end of the first act , is described in the first scene , and her resemblance to Orsino ... appears on stage at the end of the first act . Despite herself , she is amused by the clown's catechism proving that ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom