Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 46.
Strana 12
... create faculty psychology is well beyond the scope of this study . General historical outlines , however , can be suggested . Faculty psychology is the conjunction of several different bodies of thought , each with its own 23 historical ...
... create faculty psychology is well beyond the scope of this study . General historical outlines , however , can be suggested . Faculty psychology is the conjunction of several different bodies of thought , each with its own 23 historical ...
Strana 153
... create a dramatic crisis in which the protagonist believes himself guilty of a crime which has been prevented ; both end when the sinning protagonist is forgiven by the woman he has most wronged , and by the established authority figure ...
... create a dramatic crisis in which the protagonist believes himself guilty of a crime which has been prevented ; both end when the sinning protagonist is forgiven by the woman he has most wronged , and by the established authority figure ...
Strana 202
... create their comic confusion through the dramatization of hatreds described as " humourous " passions and contrast characters whose behaviour reflects different levels of understanding . As Shakespeare's comedy began to emphasize ...
... create their comic confusion through the dramatization of hatreds described as " humourous " passions and contrast characters whose behaviour reflects different levels of understanding . As Shakespeare's comedy began to emphasize ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom