Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 41.
Strana 35
... language which asserts the credibility , and frequently the laughability , of the characters ' behavior . The language does not direct attention to and explore problems of individual conscience and moral choice , and such an emphasis ...
... language which asserts the credibility , and frequently the laughability , of the characters ' behavior . The language does not direct attention to and explore problems of individual conscience and moral choice , and such an emphasis ...
Strana 65
... language when considering his loan to Antonio , but gives the words a more limited definition . He insists upon time to deliberate , and when he considers Antonio's " goodness , " the word connotes only financial security : My meaning ...
... language when considering his loan to Antonio , but gives the words a more limited definition . He insists upon time to deliberate , and when he considers Antonio's " goodness , " the word connotes only financial security : My meaning ...
Strana 69
... language of " interpretive " psychology . Purposeful deception , moreover , is as much at work in the subplot as in the main plot , and is described in the same language . In both , man's sensory perceptions are treated as a lure by ...
... language of " interpretive " psychology . Purposeful deception , moreover , is as much at work in the subplot as in the main plot , and is described in the same language . In both , man's sensory perceptions are treated as a lure by ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom