Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 84.
Strana 37
... plot of The Comedy of Errors are not They arouse neither great sympathy nor serious well individualized . censure . Nor do they prove responsible for the mistakes that con- stitute the action of the plot : everyone is a comic victim ...
... plot of The Comedy of Errors are not They arouse neither great sympathy nor serious well individualized . censure . Nor do they prove responsible for the mistakes that con- stitute the action of the plot : everyone is a comic victim ...
Strana 41
... plot , Shakespeare introduces some of the intrigue and pace of classical comedy , but , on the whole , the plot of The Two Gentlemen of Verona remains sequential . Shakespeare further 71 meshes his two plots by making Proteus ' second 41.
... plot , Shakespeare introduces some of the intrigue and pace of classical comedy , but , on the whole , the plot of The Two Gentlemen of Verona remains sequential . Shakespeare further 71 meshes his two plots by making Proteus ' second 41.
Strana 210
... plot is joined to the casket plot . Both portray characters who rely upon different levels of cognition , and these contrasts are made to dis- play the similarity between the New law , mercy , and true love , and the Old law , justice ...
... plot is joined to the casket plot . Both portray characters who rely upon different levels of cognition , and these contrasts are made to dis- play the similarity between the New law , mercy , and true love , and the Old law , justice ...
Časté výrazy a frázy
accept action affections All's allow Anatomy of Melancholy Angelo Antonio appears argues become behavior believes Bertram blood body characters choice Christian classical Claudio comedy comic complicated confusion contrasts create critical describes desires discussion dramatic Duke earlier Elizabethan error ethical evil explain faculty fall final golden happiness hath heart Helena honor human humour imagination interest interpretive jealousy judgment justice King knowledge language later Leontes less lost lovers man's Measure Merchant of Venice mercy moral motive Narrative nature never Night offers Olivia Orsino parallels passion pastoral Plautus play plot presented Press problem promise proper Proteus psychology qualities rational reason recognizes reference renaissance repentance role romance scene sense Shakespeare Shylock similar sins soul story structure suggest Tale things thou true truth Twelfth types University Viola virtue warns weakness wife wisdom