Shakespeare's Changing Use of Psychological Reference in His ComediesStanford University, 1978 - 504 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 88.
Strana 12
... psychology and moral philosophy is fully exploited . Its The different psychological emphases required by the two types of comedy extant in Shakespeare's day , find a similar difference in emphasis in the psychological theory itself ...
... psychology and moral philosophy is fully exploited . Its The different psychological emphases required by the two types of comedy extant in Shakespeare's day , find a similar difference in emphasis in the psychological theory itself ...
Strana 28
... psychological language . Shakespeare's reliance on psychology , it will be argued , changes Renaissance psychology , being a between his early and later comedies . Christian reinterpretation of Greek and Arabic doctrine , provided Shake ...
... psychological language . Shakespeare's reliance on psychology , it will be argued , changes Renaissance psychology , being a between his early and later comedies . Christian reinterpretation of Greek and Arabic doctrine , provided Shake ...
Strana 201
... psychology pro- vided Shakespeare with two vocabularies , one being " descriptive " physiological psychology , and one being ethically and metaphysically " interpretive " of that same material . Faculty psychology derived its ...
... psychology pro- vided Shakespeare with two vocabularies , one being " descriptive " physiological psychology , and one being ethically and metaphysically " interpretive " of that same material . Faculty psychology derived its ...
Časté výrazy a frázy
Achilles action All's Angelo Antonio appetite argues behavior believes Bertram blood Bullough Camillo characters Christian classical comedy Claudio Comedy of Errors comic strategy confusion contrasts Countess create crimes Cymbeline describes Dramatic Sources Duke Elizabethan ethical evil explain faculty psychology final Florizel Gentlemen of Verona golden Greek happiness hath hatred Hector Helena Hermione hierarchical honor Hooker human humour imagination innocence interpretive Isabella jealousy judgment justice King Lafeu language later comedies Leontes Love's Labour's Lost lovers madness Malvolio man's Measure for Measure medieval melancholy Merchant of Venice mercy Minde in Generall motive Narrative and Dramatic nature Olivia Orsino parallels Parolles passion pastoral Perdita Polixenes Portia portrayed promise protagonists Proteus rational reason renaissance repentance role romance scene sense Shakespeare Shakespeare's Plays Shakespearean comedy Shylock sins soul STANFORD thou Troilus and Cressida Trojan truth Twelfth Night University villains Viola virtue warns wife Winter's Tale wisdom