Social and Cultural Dynamics ... |
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Strana 251
A. Idealistic Style . Exemplified most strikingly by the Greek art of the fifth century B.C. and the religious art of Europe in the thirteenth century , the Idealistic style is simultaneously Ideational and Visual .
A. Idealistic Style . Exemplified most strikingly by the Greek art of the fifth century B.C. and the religious art of Europe in the thirteenth century , the Idealistic style is simultaneously Ideational and Visual .
Strana 263
Such are some of the typical traits of the Idealistic as contrasted with the Visual ( Sensate ) art . As to its difference from the Ideational art , it must be clear from the above characterization of the Ideational style .
Such are some of the typical traits of the Idealistic as contrasted with the Visual ( Sensate ) art . As to its difference from the Ideational art , it must be clear from the above characterization of the Ideational style .
Strana 296
It is needless to add that the age was simultaneously religious , rationalistic , speculative , ideological , and idealistic.62 I have paused for some length at the characterization of the Idealistic art of ...
It is needless to add that the age was simultaneously religious , rationalistic , speculative , ideological , and idealistic.62 I have paused for some length at the characterization of the Idealistic art of ...
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Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole