Social and Cultural Dynamics ... |
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Strana 372
This supposition is corroborated by the fact that some discrepancy appears even in the points which , like the “ religious and secular ” subjects of the pictures , or percentage of male and female portraits , involve practically no ...
This supposition is corroborated by the fact that some discrepancy appears even in the points which , like the “ religious and secular ” subjects of the pictures , or percentage of male and female portraits , involve practically no ...
Strana 373
the curves of the percentages run practically parallel , so far as the main trends and fluctuations are concerned . As the Prague sample is larger and the study was made under the close supervision of a prominent professor of the ...
the curves of the percentages run practically parallel , so far as the main trends and fluctuations are concerned . As the Prague sample is larger and the study was made under the close supervision of a prominent professor of the ...
Strana 420
After the fourteenth century , the percentage of the Sensual works steadily rises and that of the Spiritual steadily ... Likewise , the movement of the curve of the Spiritual percentages runs parallel with those of the religious and ...
After the fourteenth century , the percentage of the Sensual works steadily rises and that of the Spiritual steadily ... Likewise , the movement of the curve of the Spiritual percentages runs parallel with those of the religious and ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole