Social and Cultural Dynamics ... |
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Strana 171
of Roman society , or any other aspect of Roman history , as an absolutely unique event or process which has nothing in common with , or recurring in , other societies and other periods . Is such a task possible to accomplish ?
of Roman society , or any other aspect of Roman history , as an absolutely unique event or process which has nothing in common with , or recurring in , other societies and other periods . Is such a task possible to accomplish ?
Strana 172
styled a description of Roman religion generally , because it would be the religion of only a few different Roman ... Moreover , even with respect to these ten Romans or , for that matter , to one — adequate description would be ...
styled a description of Roman religion generally , because it would be the religion of only a few different Roman ... Moreover , even with respect to these ten Romans or , for that matter , to one — adequate description would be ...
Strana 287
The main effect of this was a series of imitative waves of Roman art : imitation of the Hellenistic Visualism in the first century B.C .; then imitation of the Idealistic art of Greece in the time of Augustus ; then again several waves ...
The main effect of this was a series of imitative waves of Roman art : imitation of the Hellenistic Visualism in the first century B.C .; then imitation of the Idealistic art of Greece in the time of Augustus ; then again several waves ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole