Social and Cultural Dynamics ... |
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Architecture 4. Music 5. Painting Egypt 2000–1225 B.C. 1580-1350 1580-1250 1411-1284 750–525 1. Literature 2. Sculpture 3. Painting 4. Architecture 5. Music 86-25 B.C. 30 B.C. - 69 A.D. 50-108 60-138 466-495 India 1. Literature 2.
Architecture 4. Music 5. Painting Egypt 2000–1225 B.C. 1580-1350 1580-1250 1411-1284 750–525 1. Literature 2. Sculpture 3. Painting 4. Architecture 5. Music 86-25 B.C. 30 B.C. - 69 A.D. 50-108 60-138 466-495 India 1. Literature 2.
Strana 510
These illustrations possibly make clearer the idea of the Ideational and Visual externality in architecture , at least for the nonspecialists in the field . Viewed from this standpoint , the life history of the architecture of various ...
These illustrations possibly make clearer the idea of the Ideational and Visual externality in architecture , at least for the nonspecialists in the field . Viewed from this standpoint , the life history of the architecture of various ...
Strana 517
European architecture , is styled baroque.25 And so it went , with minor fluctuations until the whole Graeco - Roman architecture , as well as the Visual form of its painting and sculpture , was replaced more and more by the early ...
European architecture , is styled baroque.25 And so it went , with minor fluctuations until the whole Graeco - Roman architecture , as well as the Visual form of its painting and sculpture , was replaced more and more by the early ...
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Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole