Social and Cultural Dynamics ... |
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Strana 37
1 or alogical , one has to experiment with as many principles as will fit any of the relevant facts at all.45 At this stage we may have a number of such theories , all of them varying more or less from one another .
1 or alogical , one has to experiment with as many principles as will fit any of the relevant facts at all.45 At this stage we may have a number of such theories , all of them varying more or less from one another .
Strana 157
Many social scientists are not quite aware , as yet , of this fact , and they still continue — with failure inevitably following their attempts — to use the system of physical space co - ordinates for the location of cultural processes ...
Many social scientists are not quite aware , as yet , of this fact , and they still continue — with failure inevitably following their attempts — to use the system of physical space co - ordinates for the location of cultural processes ...
Strana 310
Even if we omit mentioning the fact that " decay ” and other similar terms imply a very subjective evaluation , based on the one - sided assumption of the superiority of only one real style — the Visual , we cannot neglect the fact that ...
Even if we omit mentioning the fact that " decay ” and other similar terms imply a very subjective evaluation , based on the one - sided assumption of the superiority of only one real style — the Visual , we cannot neglect the fact that ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole