Social and Cultural Dynamics ...American Book Company, 1937 |
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Strana 211
... idea and the exterior forms in which it is clothed . Here matter dominates the Idea , and the Idea does not find an adequate expression in Sensate forms . The second type of art , the classical , is based upon an absolutely homogene ...
... idea and the exterior forms in which it is clothed . Here matter dominates the Idea , and the Idea does not find an adequate expression in Sensate forms . The second type of art , the classical , is based upon an absolutely homogene ...
Strana 213
... Idea and Ligeti's Reality ( Sein ) and Appearance ( Schein ) . Both consider painting as the third stage , in which the balance is again disrupted . Besides the similarities in these cardinal points there are many more likenesses in ...
... Idea and Ligeti's Reality ( Sein ) and Appearance ( Schein ) . Both consider painting as the third stage , in which the balance is again disrupted . Besides the similarities in these cardinal points there are many more likenesses in ...
Strana 283
... ideas , and not the likeness of anything on earth . " " The formal element in art represents a purely mental activity ... idea and not merely the shape . " " Thus none of the terms cited by any means implies a view of art as finding its ...
... ideas , and not the likeness of anything on earth . " " The formal element in art represents a purely mental activity ... idea and not merely the shape . " " Thus none of the terms cited by any means implies a view of art as finding its ...
Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Social Classes in Portraiture for Europe | 28 |
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Časté výrazy a frázy
appear architecture artists Ascetic Ideational baroque becomes beginning Brahmanic Buddhism Byzantine art causal century B.C. chap Christian art classes classical Confucianism countries cubistic culture mentality Deonna depicted direction dominant elements empirical Epicureanism European existence external fifteenth fifth century fluctuations fourth century given Graeco-Roman Greece Greek Hellenistic Hinduism human Ibid ideal Idealistic art Ideational art Ideational mentality Ideational style Ideationalism ideoplastic illusionistic impressionism impressionistic integrated Jainism linear literature logical logico-meaningful Lysippus malerisch means medieval Middle Ages Mixed nature Nirvana objects organs painting and sculpture paleolithic passim paysage Percentages period phenomena Phidias portraits portraiture purely qualitative quantitative reality recurrence religion religious rococo Roman sculpture Sensate mentality Sensate music sense sensual similar social sociocultural spatial spiritual stage standpoint subjects symbolic Taoism theories thirteenth century tion Total Numbers traits unity values various Visual art Visual style