Social and Cultural Dynamics ... |
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Strana 385
For most of these countries Spain , England , partly the Netherlands , and France - the most “ pagan ” centuries were the eighteenth , the nineteenth , and the twentieth . The beginning of the nineteenth century in several countries is ...
For most of these countries Spain , England , partly the Netherlands , and France - the most “ pagan ” centuries were the eighteenth , the nineteenth , and the twentieth . The beginning of the nineteenth century in several countries is ...
Strana 402
sixteenth ; 5.9 for the seventeenth ; 2.5 for the eighteenth ; 0.3 for the nineteenth ; and — a sign of revival - 0.7 for the twentieth . If we include in it - under the category of the non - Visual style — expressionism , then the ...
sixteenth ; 5.9 for the seventeenth ; 2.5 for the eighteenth ; 0.3 for the nineteenth ; and — a sign of revival - 0.7 for the twentieth . If we include in it - under the category of the non - Visual style — expressionism , then the ...
Strana 470
Even a slight decrease of the percentage for the nineteenth and the twentieth centuries is in agreement with similar ... has systematically and rapidly grown , up to the end of the nineteenth century , when it shows a slight decrease .
Even a slight decrease of the percentage for the nineteenth and the twentieth centuries is in agreement with similar ... has systematically and rapidly grown , up to the end of the nineteenth century , when it shows a slight decrease .
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole