Social and Cultural Dynamics ... |
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Strana 246
Here again we have a set of pictures which seems to depict various objects not as they look to our eyes but as they exist in the mind of the artists, regardless of whether the picture has any visual resemblance to the objects when we ...
Here again we have a set of pictures which seems to depict various objects not as they look to our eyes but as they exist in the mind of the artists, regardless of whether the picture has any visual resemblance to the objects when we ...
Strana 244
“ skill , ” the contrast is clear : while the preceding group does not strive to depict the objects as they appear to our eyes , these last all attempt to depict them in their exact visual impression — as we see them and only so .
“ skill , ” the contrast is clear : while the preceding group does not strive to depict the objects as they appear to our eyes , these last all attempt to depict them in their exact visual impression — as we see them and only so .
Strana 244
If need be , the Ideational mentality can strive to represent the unchangeable Being ( Sein ) of these objects or values by symbols and signs , and by other means having no resemblance to the visual appearance of these objects , values ...
If need be , the Ideational mentality can strive to represent the unchangeable Being ( Sein ) of these objects or values by symbols and signs , and by other means having no resemblance to the visual appearance of these objects , values ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole