Social and Cultural Dynamics ... |
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Strana 209
Painting Egypt 2000–1225 B.C. 1580-1350 1580-1250 1411-1284 750–525 1. Literature 2. Sculpture 3. Painting 4. Architecture 5. Music 86-25 B.C. 30 B.C. - 69 A.D. 50-108 60-138 466-495 India 1. Literature 2. Sculpture 3. Architecture 4.
Painting Egypt 2000–1225 B.C. 1580-1350 1580-1250 1411-1284 750–525 1. Literature 2. Sculpture 3. Painting 4. Architecture 5. Music 86-25 B.C. 30 B.C. - 69 A.D. 50-108 60-138 466-495 India 1. Literature 2. Sculpture 3. Architecture 4.
Strana 219
Architecture does not imitate nature , it creates its own reality ; painting imitates the things painted and gives us their illusory appearance . Therefore painting is especially suited to catching glimpses of the ever - changing ...
Architecture does not imitate nature , it creates its own reality ; painting imitates the things painted and gives us their illusory appearance . Therefore painting is especially suited to catching glimpses of the ever - changing ...
Strana 744
Religious art, proportion of, in music, $74-78 ; in painting and sculpture, 376-86 Religious mentality, see Ideational mentality Renaissance, architecture of, 523-25; literature of, 636-37, 645; painting and sculpture of, ...
Religious art, proportion of, in music, $74-78 ; in painting and sculpture, 376-86 Religious mentality, see Ideational mentality Renaissance, architecture of, 523-25; literature of, 636-37, 645; painting and sculpture of, ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole