Social and Cultural Dynamics ...

Active appear architecture artists Ascetic aspect becomes beginning century chapter character Christian classes classical complete countries course criticism culture depicted direction discussed dominant elements empirical especially essential example existence external fact field figures fluctuations functional further give given Greek groups human Idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy kind later less literature logical material means mentality mind Mixed moral nature needs nineteenth objects organs painting Paris pass Percentages period persons phenomena present principle problem purely quantitative reality reason recurrence regard religion religious remains represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic TABLE theories things tion traits true turn uniform unit values various Visual whole