Social and Cultural Dynamics ...

Active appear architecture artists Ascetic aspect beauty becomes beginning body century character Christian classes classical complete countries course criticism culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena practically present principle problem purely reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic Table theories things thirteenth tion traits true turn unit values various Visual waves whole