Social and Cultural Dynamics ... |
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Strana 244
If by these is meant the " unchangeable essence of an object , ” then the Ideational style is realistic . If the elusive appearance of the sensoryperceptual world is meant , then the Visual style is realistic . Both styles are equally ...
If by these is meant the " unchangeable essence of an object , ” then the Ideational style is realistic . If the elusive appearance of the sensoryperceptual world is meant , then the Visual style is realistic . Both styles are equally ...
Strana 263
Meanwhile the essentials of the Pure Visual , the Pure Ideational , and the Idealistic styles must be sufficiently ... As we shall see , the Idealistic style usually occurs when the Ideational begins to decline , but without breaking ...
Meanwhile the essentials of the Pure Visual , the Pure Ideational , and the Idealistic styles must be sufficiently ... As we shall see , the Idealistic style usually occurs when the Ideational begins to decline , but without breaking ...
Strana 306
Then soon comes a " decay " of Roman art ; more exactly , a decline of the Visual style and the reappearance of the Distorted Ideational style . Their mixture , in the fourth and fifth centuries , gives a peculiar Mixed style ...
Then soon comes a " decay " of Roman art ; more exactly , a decline of the Visual style and the reappearance of the Distorted Ideational style . Their mixture , in the fourth and fifth centuries , gives a peculiar Mixed style ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole