Social and Cultural Dynamics ... |
Vyhľadávanie v obsahu knihy
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Strana 438
Are such subjects landscapes , or genre , or historical themes , or something else ; and what is the quantitative proportion of each of such classes in the total sum of secular art subjects ? Such is the essence of the problem .
Are such subjects landscapes , or genre , or historical themes , or something else ; and what is the quantitative proportion of each of such classes in the total sum of secular art subjects ? Such is the essence of the problem .
Strana 439
All the secular pictures and subjects are divided in this study into seven main classes , according to their Visual nature , namely : ( 1 ) Subjects of antiquity ( mainly historical and pseudo - historical events ) , ( 2 ) Portrait ...
All the secular pictures and subjects are divided in this study into seven main classes , according to their Visual nature , namely : ( 1 ) Subjects of antiquity ( mainly historical and pseudo - historical events ) , ( 2 ) Portrait ...
Strana 501
In Italy , earlier than anywhere else , the subjects of antiquity begin to rise in favor after the thirteenth century , reach their climax in the period 1500-1550 , and then steadily decline , with very slight fluctuations up to the ...
In Italy , earlier than anywhere else , the subjects of antiquity begin to rise in favor after the thirteenth century , reach their climax in the period 1500-1550 , and then steadily decline , with very slight fluctuations up to the ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
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Časté výrazy a frázy
Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena portraits present principle problem purely qualitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole