Social and Cultural Dynamics ... |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 68.
Strana 253
3 , Pietà , eleventh or thirteenth century . 4 , Head of Christ , thirteenth century . 5 ,
Statue representing the Church , thirteenth century . 6 , Statue representing the
Synagogue , thirteenth century . 7 , Pietà , by Michelangelo , sixteenth century .
3 , Pietà , eleventh or thirteenth century . 4 , Head of Christ , thirteenth century . 5 ,
Statue representing the Church , thirteenth century . 6 , Statue representing the
Synagogue , thirteenth century . 7 , Pietà , by Michelangelo , sixteenth century .
Strana 318
If we take the Byzantine art for the later period , it is enough to say for our
purposes that the Ideational Idealistic style was dominant in it up to the twelfth
and even thirteenth century , in spite of several important changes in that art in
other ...
If we take the Byzantine art for the later period , it is enough to say for our
purposes that the Ideational Idealistic style was dominant in it up to the twelfth
and even thirteenth century , in spite of several important changes in that art in
other ...
Strana 395
of all paintings and sculptures; in the tenth and the eleventh centuries, the
percentage rises to 92.1 ; and then in the twelfth and — especially —in the
thirteenth centuries, when practically all the art was Christian, we see a sudden
drop of the ...
of all paintings and sculptures; in the tenth and the eleventh centuries, the
percentage rises to 92.1 ; and then in the twelfth and — especially —in the
thirteenth centuries, when practically all the art was Christian, we see a sudden
drop of the ...
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Obsah
PART | 3 |
Culture integration and culture unity a dark problem Most of | 49 |
Chapter Two IDEATIONAL SENSATE IDEALISTIC AND MIXED SystEMs | 55 |
71 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect beauty becomes beginning body century character Christian classes classical complete countries course criticism culture depicted direction discussed dominant elements empirical especially essential existence expression external fact field fifth figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass Percentages period persons phenomena practically present principle problem purely reality reason recurrence regard religion religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stage style subjects symbolic Table theories things thirteenth tion traits true turn unit values various Visual waves whole