Social and Cultural Dynamics ... |
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Strana 187
First , since there is no one permanent linear trend , and since the directions change , historical and social processes incessantly undergo ever new variations of the old themes . In this sense they are filled with surprise and are ...
First , since there is no one permanent linear trend , and since the directions change , historical and social processes incessantly undergo ever new variations of the old themes . In this sense they are filled with surprise and are ...
Strana 188
Moreover we do not detect such a trend in most of the important aspects of sociocultural life ; in economic , political , social organization , in arts and religion , in morals , in the forms of the political or economic bodies , in the ...
Moreover we do not detect such a trend in most of the important aspects of sociocultural life ; in economic , political , social organization , in arts and religion , in morals , in the forms of the political or economic bodies , in the ...
Strana 384
In the total art of all these countries , as we move from the thirteenth or the fourteenth century to our time , the main trend is identical , namely , with minor fluctuations , a steady decrease of the religious and a steady increase ...
In the total art of all these countries , as we move from the thirteenth or the fourteenth century to our time , the main trend is identical , namely , with minor fluctuations , a steady decrease of the religious and a steady increase ...
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Obsah
Vinaper | 3 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Proportion of Religious and Secular Compositions by Centuries | 33 |
41 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
Social & Cultural Dynamics: A Study of Change in Major Systems of Art, Truth ... Pitirim A. Sorokin Zobrazenie úryvkov - 1957 |
Časté výrazy a frázy
Active appear architecture artists Ascetic aspect becomes beginning body Central Europe century character Christian classes classical complete countries course culture depicted direction dominant elements empirical especially essential Europe European existence external extreme fact field figures fluctuations functional further give given Greek groups human idea ideal Idealistic Ideational Ideationalism important increase individual integrated Italy later less linear literature logical material means mentality mind Mixed nature needs nineteenth objects organs painting pass paysage Percentages period persons phenomena present principle problem purely qualitative quantitative reality reason recurrence regard religious remains rendering represent Roman sculpture secular Sensate sense sensual similar social space spiritual stages style subjects symbolic TABLE theories things thirteenth tion traits true turn unit values various Visual waves whole