Characters of Shakespeare's PlaysUniversity Press, 1908 - 280 strán (strany) |
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Strana vii
... Hamlet The Tempest The Midsummer Night's Dream Romeo and Juliet • Lear • Richard II Henry IV Henry V Henry VI Richard III Henry VIII King John · PAGE ix I II 21 33 40 54 59 69 78 84 92 ΙΟΟ 106 . · 119 137 144 154 163 171 179 183 Twelfth ...
... Hamlet The Tempest The Midsummer Night's Dream Romeo and Juliet • Lear • Richard II Henry IV Henry V Henry VI Richard III Henry VIII King John · PAGE ix I II 21 33 40 54 59 69 78 84 92 ΙΟΟ 106 . · 119 137 144 154 163 171 179 183 Twelfth ...
Strana 12
... Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable ...
... Hamlet , and of other plays of less moment , in which the last act is crowded with decisive events brought about by natural and striking means . The pathos in CYMBELINE is not violent or tragical , but of the most pleasing and amiable ...
Strana 21
... Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello for the progressive ...
... Hamlet , are usually reckoned Shakespear's four principal tragedies . Lear stands first for the profound intensity of the passion ; Macbeth for the wildness of the imagination and the rapidity of the action ; Othello for the progressive ...
Strana 41
... Hamlet is more remote and reflex . That of OTHELLO is at once equally profound and affecting . The picturesque contrasts of character in this play are almost as remarkable as the depth of the passion . The Moor Othello , the gentle ...
... Hamlet is more remote and reflex . That of OTHELLO is at once equally profound and affecting . The picturesque contrasts of character in this play are almost as remarkable as the depth of the passion . The Moor Othello , the gentle ...
Strana 83
... hearted , " a master - leaver and a fugitive . " Shakespear's genius has spread over the whole play a richness like the overflowing of the Nile . HAMLET THIS is that Hamlet the Dane , whom we 6--2 ANTONY AND CLEOPATRA 83.
... hearted , " a master - leaver and a fugitive . " Shakespear's genius has spread over the whole play a richness like the overflowing of the Nile . HAMLET THIS is that Hamlet the Dane , whom we 6--2 ANTONY AND CLEOPATRA 83.
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actor admirable affections Antony Apemantus banished beauty blood Boccacio breath Brutus Cæsar Caliban character Claudio comedy comic Cordelia Coriolanus critic CYMBELINE death Decameron Desdemona dost doth Dr Johnson dramatic eyes Falstaff fancy fear feeling fool friends genius give Goneril grace Hamlet hast hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM mind moral Mucedorus nature never night noble note referring Othello passages passion Perdita person pity play pleasure poet poetry prince Regan revenge rich Richard Richard III Romeo ROMEO AND JULIET scene Schlegel sense Shake Shakespear shew shewn Sir Toby sleep soul speak speech spirit stage story striking sweet tender thee thing thou art thought tion Titus Andronicus tragedy truth wife words Yorkshire Tragedy youth