Characters of Shakespeare's PlaysUniversity Press, 1908 - 280 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 71.
Strana 9
... scenes , there is always something wanting , but his comedy often surpasses expectation or desire . His comedy pleases by the thoughts and the language , and his tragedy , for the greater part , by incident and PREFACE.
... scenes , there is always something wanting , but his comedy often surpasses expectation or desire . His comedy pleases by the thoughts and the language , and his tragedy , for the greater part , by incident and PREFACE.
Strana 11
... scene , as well as by the length of time it occupies . The reading of this play is like going a journey with some uncertain object at the end of it , and in which the suspense is kept up and heightened by the long intervals between each ...
... scene , as well as by the length of time it occupies . The reading of this play is like going a journey with some uncertain object at the end of it , and in which the suspense is kept up and heightened by the long intervals between each ...
Strana 13
... scene with Iachimo , as to her husband's infidelity , is much the same as Desdemona's back- wardness to believe Othello's jealousy . Her answer to the most distressing part of the picture is only , My lord , I fear , has forgot Britain ...
... scene with Iachimo , as to her husband's infidelity , is much the same as Desdemona's back- wardness to believe Othello's jealousy . Her answer to the most distressing part of the picture is only , My lord , I fear , has forgot Britain ...
Strana 17
... scenes in which they appear , are a fine relief to the intrigues and artificial refine- ments of the court from which they are banished . Nothing can surpass the wildness and simplicity of the descriptions H. 2 CYMBELINE 17.
... scenes in which they appear , are a fine relief to the intrigues and artificial refine- ments of the court from which they are banished . Nothing can surpass the wildness and simplicity of the descriptions H. 2 CYMBELINE 17.
Strana 18
... scenes in which they are afterwards called on to act . How admirably the youthful fire and impatience to emerge from their obscurity in the young princes is opposed to the cooler calculations and prudent resignation of their more ...
... scenes in which they are afterwards called on to act . How admirably the youthful fire and impatience to emerge from their obscurity in the young princes is opposed to the cooler calculations and prudent resignation of their more ...
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actor admirable affections Antony Apemantus banished beauty blood Boccacio breath Brutus Cæsar Caliban character Claudio comedy comic Cordelia Coriolanus critic CYMBELINE death Decameron Desdemona dost doth Dr Johnson dramatic eyes Falstaff fancy fear feeling fool friends genius give Goneril grace Hamlet hast hath Hazlitt hear heart heaven Henry honour Hubert human humour Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth Malvolio manner MIDSUMMER NIGHT'S DREAM mind moral Mucedorus nature never night noble note referring Othello passages passion Perdita person pity play pleasure poet poetry prince Regan revenge rich Richard Richard III Romeo ROMEO AND JULIET scene Schlegel sense Shake Shakespear shew shewn Sir Toby sleep soul speak speech spirit stage story striking sweet tender thee thing thou art thought tion Titus Andronicus tragedy truth wife words Yorkshire Tragedy youth