Rhetoric and Renaissance CultureWalter de Gruyter, 22. 8. 2008 - 596 strán (strany) Der Band bietet eine kulturhistorische Darstellung der europäischen Renaissance mit dem Schwerpunkt von Poetik und Literatur unter den Aspekten Imagination/Inventio, Gattungstheorie/Dispositio, Stil/Elocutio, Architektur/Memoria sowie Darstellung/Actio. Shakespeares Werke dienen der exemplarischen Veranschaulichung der beschriebenen rhetorischen Phänomene. Besondere Aufmerksamkeit ist der Rhetorik von Malerei und Musik sowie der rhetorischen Kulturideologie gewidmet. |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 32.
Strana 66
... enargeia, which effects a vivid actualization of the past and creates a semi-literary genre that in its turn serves as the source of literary inventions. The fictionalization of history through rhetoric met, however, with the fierce ...
... enargeia, which effects a vivid actualization of the past and creates a semi-literary genre that in its turn serves as the source of literary inventions. The fictionalization of history through rhetoric met, however, with the fierce ...
Strana 96
... enargeia or evidentia: For as in this time of yeare, so then in our bodies there is a dry and withering cold, which congealeth the crudled blood, and frieseth the wetherbeaten flesh, with stormes of Fortune, and hoare frosts of Care. To ...
... enargeia or evidentia: For as in this time of yeare, so then in our bodies there is a dry and withering cold, which congealeth the crudled blood, and frieseth the wetherbeaten flesh, with stormes of Fortune, and hoare frosts of Care. To ...
Strana 98
... enargeia or its Latin equivalent evidentia that plays a major part in the history of rhetoric and rhetorical poetics. And here the most effective mediator certainly is Quintilian, who in his Institutio Oratoria VIII.iii.61-62 equates ...
... enargeia or its Latin equivalent evidentia that plays a major part in the history of rhetoric and rhetorical poetics. And here the most effective mediator certainly is Quintilian, who in his Institutio Oratoria VIII.iii.61-62 equates ...
Strana 99
... enargeia / evidentia are categories of representation, of one that is lifelike, lively, natural, realistic, and ... enargeia/evidentia and their equivalents: Marie E. Brittin, “Concepts of Evidence in Rhetoric,” PhD diss., Northwestern ...
... enargeia / evidentia are categories of representation, of one that is lifelike, lively, natural, realistic, and ... enargeia/evidentia and their equivalents: Marie E. Brittin, “Concepts of Evidence in Rhetoric,” PhD diss., Northwestern ...
Strana 121
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Dosiahli ste svoj limit zobrazení tejto knihy..
Obsah
1 | |
11 | |
85 | |
C Intermedial Rhetoric | 295 |
Shakespeare as Orator Poet | 413 |
E Iconography of Rhetoric and Eloquence | 499 |
Backmatter | 553 |
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Časté výrazy a frázy
action actor Andrea Alciato Apology for Poetry Arte ofEnglish Poesie Arte ofRhetorique artem Ben Jonson century chap chapter Cicero classical commonplace concept Coriolanus courtier courtly Critical culture decorum dispositio drama edition effect Elizabethan elocutio eloquence emblem emotions enargeia England epideictic Essays Facsimile Reprint Figure Frankfurt/M genres George Puttenham H.F. Plett Hamlet Henry Peacham Hercules Gallicus humanist Iago Iago’s icon illustrate images imagination intertextuality inventio invention Johann John Julius Caesar Scaliger l’art language Latin literary literature London meditation memory metaphor Midsummer Night’s Dream mnemonic München nature ofthe orator Orpheus Othello Oxford painter painting passion pictorial picture play poem poet Princeton prosopopoeia Quintilian Renaissance Rhetoric representation rhetoric Rhetorica Rhetorik rhétorique Richard role Scaliger Shakespeare’s Sidney Sidney’s social speaking speech stage Studies style stylistic theatrical theory things Thomas Thomas Sébillet thou tion tradition tragedy Trans treatise tropes verbal visual words York