Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Strana xv
... Iago and Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely susceptible of noble and tender impressions , but which ...
... Iago and Richard the Third . The constant reference to a petty and puny race must cripple the boldness of the poet . Fortunately for his art , Shakspeare lived in an age extremely susceptible of noble and tender impressions , but which ...
Strana 45
... this play are almost as remarkable as the depth of the passion . The Moor Othello , the gentle Desde- mona , the villain Iago , the good - natured Cassio , the fool Roderigo , present a range and variety of OTHELLO . 45.
... this play are almost as remarkable as the depth of the passion . The Moor Othello , the gentle Desde- mona , the villain Iago , the good - natured Cassio , the fool Roderigo , present a range and variety of OTHELLO . 45.
Strana 46
... Iago ! at the same time , the force of conception with which these two figures are opposed to each other is rendered still more intense by the complete consistency with which the traits of each character are brought out in a state of ...
... Iago ! at the same time , the force of conception with which these two figures are opposed to each other is rendered still more intense by the complete consistency with which the traits of each character are brought out in a state of ...
Strana 49
... Iago , and rankling there to poison , till he loses all command of himself , and his rage can only be appeased by blood . She is introduced , just before Iago begins to put his scheme in practice , pleading for Cassio with all the ...
... Iago , and rankling there to poison , till he loses all command of himself , and his rage can only be appeased by blood . She is introduced , just before Iago begins to put his scheme in practice , pleading for Cassio with all the ...
Strana 50
... Iago like a wild beast stung with the envenomed shaft of the hunters . " Look where he comes , " & c . In this state of exasperation and violence , after the first paroxysms of his grief and tenderness have had their vent in that ...
... Iago like a wild beast stung with the envenomed shaft of the hunters . " Look where he comes , " & c . In this state of exasperation and violence , after the first paroxysms of his grief and tenderness have had their vent in that ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth