Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 4 z 4.
Strana 39
... Mark Antony is farther specu- lated upon where the conspirators deliberate whether he shall fall with Cæsar . Brutus is against it— " And for Mark Antony , think not of him ; For he can do no more than Cæsar's arm , When Cæsar's head is ...
... Mark Antony is farther specu- lated upon where the conspirators deliberate whether he shall fall with Cæsar . Brutus is against it— " And for Mark Antony , think not of him ; For he can do no more than Cæsar's arm , When Cæsar's head is ...
Strana 41
... Mark Antony's speech over the dead body of Cæsar has been justly admired for the mixture of pathos and artifice in it that of Brutus certainly is not so good . The entrance of the conspirators to the house of Brutus at midnight is ...
... Mark Antony's speech over the dead body of Cæsar has been justly admired for the mixture of pathos and artifice in it that of Brutus certainly is not so good . The entrance of the conspirators to the house of Brutus at midnight is ...
Strana 97
... Mark Antony . Take only the first four lines that they speak as an example of the regal style of love - making : - One H " Cleopatra . If it be love indeed , tell ANTONY AND CLEOPATRA . 97.
... Mark Antony . Take only the first four lines that they speak as an example of the regal style of love - making : - One H " Cleopatra . If it be love indeed , tell ANTONY AND CLEOPATRA . 97.
Strana 100
... Mark Antony , to whom they are related as having happened , but more to preserve a certain balance of feeling in the mind . Cæsar says , hearing of his conduct at the court of Cleopatra , " Antony , Leave thy lascivious wassails . When ...
... Mark Antony , to whom they are related as having happened , but more to preserve a certain balance of feeling in the mind . Cæsar says , hearing of his conduct at the court of Cleopatra , " Antony , Leave thy lascivious wassails . When ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth