Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Strana ix
... which we English have in Shak- X " A course of Lectures in Iranitic art X " " and Litenture 4 Augustus William Schlegel published by Bohn of York Sheet . Covent Garde in 1846 – speare . " Certainly , no writer among our- selves PREFACE .
... which we English have in Shak- X " A course of Lectures in Iranitic art X " " and Litenture 4 Augustus William Schlegel published by Bohn of York Sheet . Covent Garde in 1846 – speare . " Certainly , no writer among our- selves PREFACE .
Strana x
... Shak- speare , which is in the following words : - " Never , perhaps , was there so compre- hensive a talent for the delineation of charac- ter as Shakspeare's . It not only grasps the diversities of rank , sex and age , down to the ...
... Shak- speare , which is in the following words : - " Never , perhaps , was there so compre- hensive a talent for the delineation of charac- ter as Shakspeare's . It not only grasps the diversities of rank , sex and age , down to the ...
Strana xiii
... Shak- speare , that his pathos is not always natural and free from affectation . There are , it is true , passages , though , comparatively speak- ing , very few , where his poetry exceeds the bounds of true dialogue , where a too ...
... Shak- speare , that his pathos is not always natural and free from affectation . There are , it is true , passages , though , comparatively speak- ing , very few , where his poetry exceeds the bounds of true dialogue , where a too ...
Strana 1
William Hazlitt. CYMBELINE . CYMBELINE is one of the most delightful of Shak- speare's historical plays . It may be considered as a dramatic romance , in which the most striking parts of a story are thrown into the form of a dialogue ...
William Hazlitt. CYMBELINE . CYMBELINE is one of the most delightful of Shak- speare's historical plays . It may be considered as a dramatic romance , in which the most striking parts of a story are thrown into the form of a dialogue ...
Strana 2
... Shak- speare was generally inattentive to the winding up of his plots . We think the contrary is true ; and we think we might cite in proof of this remark , not only the present play , but the conclusion of Lear , of Romeo and Juliet ...
... Shak- speare was generally inattentive to the winding up of his plots . We think the contrary is true ; and we think we might cite in proof of this remark , not only the present play , but the conclusion of Lear , of Romeo and Juliet ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth