Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Strana viii
... character in Shakspeare is as much an individual as those in life itself ; it is as impossible to find any two alike , and such as , from their relation or affinity in any respect , appear most to be twins , will , upon comparison , be ...
... character in Shakspeare is as much an individual as those in life itself ; it is as impossible to find any two alike , and such as , from their relation or affinity in any respect , appear most to be twins , will , upon comparison , be ...
Strana ix
... characters . The only work which seemed to supersede the necessity of an attempt like the present was Schlegel's very ... character of the national understanding was not without its share in producing the following under- taking , for ...
... characters . The only work which seemed to supersede the necessity of an attempt like the present was Schlegel's very ... character of the national understanding was not without its share in producing the following under- taking , for ...
Strana xviii
... character and understanding , mixed with something like personal attachment : but he was neither a poet nor a judge of poetry . He might in one sense be a judge of poetry as it falls within the limits and rules of prose , but not as it ...
... character and understanding , mixed with something like personal attachment : but he was neither a poet nor a judge of poetry . He might in one sense be a judge of poetry as it falls within the limits and rules of prose , but not as it ...
Strana xxi
... characters , in contradiction to what Pope had observed , and to what every one else feels , that each character is a species instead of being an individual . He in fact found the general species or didactic form in PREFACE . xxi.
... characters , in contradiction to what Pope had observed , and to what every one else feels , that each character is a species instead of being an individual . He in fact found the general species or didactic form in PREFACE . xxi.
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth