Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Výsledky 1 - 5 z 49.
Strana xi
... hand , he carries nature into the regions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extra- ordinary , the wonderful , and the unheard - of , in such intimate nearness . " If Shakspeare ...
... hand , he carries nature into the regions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extra- ordinary , the wonderful , and the unheard - of , in such intimate nearness . " If Shakspeare ...
Strana 17
... hand to tear aside the veil which hides the uncertainty of the future . He is not equal to the struggle with fate and conscience . He now this " bends up each corporal instrument to the terrible t feat ; " at other times his heart ...
... hand to tear aside the veil which hides the uncertainty of the future . He is not equal to the struggle with fate and conscience . He now this " bends up each corporal instrument to the terrible t feat ; " at other times his heart ...
Strana 21
... hand . It In speaking of the character of Lady Macbeth , we ought not to pass over Mrs Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . seemed almost as if a being of a superior ...
... hand . It In speaking of the character of Lady Macbeth , we ought not to pass over Mrs Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . seemed almost as if a being of a superior ...
Strana 23
... or a violent beginning . The lights and shades are laid on with a determined hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every MACBETH . 23.
... or a violent beginning . The lights and shades are laid on with a determined hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every MACBETH . 23.
Strana 28
... hands , and indeed in the hands of any other poet , would be merely repetitions of the same general idea , more or less exaggerated - are distinguished by traits as precise , though of course less violent , than those which separate ...
... hands , and indeed in the hands of any other poet , would be merely repetitions of the same general idea , more or less exaggerated - are distinguished by traits as precise , though of course less violent , than those which separate ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth