Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Strana viii
... manner by a reference to each play . A gentleman of the name of Whately began a work of a similar kind about forty years ago , but he only lived to finish a parallel between the characters of Macbeth and Richard III , which is an ex ...
... manner by a reference to each play . A gentleman of the name of Whately began a work of a similar kind about forty years ago , but he only lived to finish a parallel between the characters of Macbeth and Richard III , which is an ex ...
Strana ix
... manner in which the German critic has exe- cuted this part of his design were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of ...
... manner in which the German critic has exe- cuted this part of his design were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing illustrations from particular passages of ...
Strana x
... manner , with only a few apparent violations of costume , the spirit of the ancient Romans , of the French in their wars with the English , of the English themselves during a great part of their history , of the Southern Europeans ( in ...
... manner , with only a few apparent violations of costume , the spirit of the ancient Romans , of the French in their wars with the English , of the English themselves during a great part of their history , of the Southern Europeans ( in ...
Strana xii
... manner , the gradual progress from the first origin . He gives , ' as Lessing says , ' a living picture of all the most minute and secret artifices by which a feeling steals into our souls ; of all the imperceptible advan- tages which ...
... manner , the gradual progress from the first origin . He gives , ' as Lessing says , ' a living picture of all the most minute and secret artifices by which a feeling steals into our souls ; of all the imperceptible advan- tages which ...
Strana xiii
... manner as from real cases . " And yet Johnson has objected to Shak- speare , that his pathos is not always natural and free from affectation . There are , it is true , passages , though , comparatively speak- ing , very few , where his ...
... manner as from real cases . " And yet Johnson has objected to Shak- speare , that his pathos is not always natural and free from affectation . There are , it is true , passages , though , comparatively speak- ing , very few , where his ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth