Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Výsledky 1 - 5 z 40.
Strana xviii
... sense be a judge of poetry as it falls within the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakspeare , who " alone is high fantastical . " Let those who have a prejudice ...
... sense be a judge of poetry as it falls within the limits and rules of prose , but not as it is poetry . Least of all was he qualified to be a judge of Shakspeare , who " alone is high fantastical . " Let those who have a prejudice ...
Strana xx
... sense and practical wisdom , rather than of genius and feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he ...
... sense and practical wisdom , rather than of genius and feeling . He retained the regular , habitual impressions of actual objects , but he could not follow the rapid flights of fancy , or the strong movements of passion . That is , he ...
Strana xxii
... be able to give the description of Dover cliff in Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; sages nor do we think he would have any very xxii PREFACE .
... be able to give the description of Dover cliff in Lear , or the description of flowers in The Winter's Tale , than to describe the objects of a sixth sense ; sages nor do we think he would have any very xxii PREFACE .
Strana xxiii
... sense of delight by something still more beautiful , and no one can feel this passionate love of nature without quick natural sensibility . To a mere literal and formal apprehension , the inimitably characteristic epithet " violets dim ...
... sense of delight by something still more beautiful , and no one can feel this passionate love of nature without quick natural sensibility . To a mere literal and formal apprehension , the inimitably characteristic epithet " violets dim ...
Strana 3
... sense of weakness leaning on the strength of its affections for support , so well as Shakspeare - no one ever so well painted natural tenderness free from affectation and disguise -no one else ever so well showed how delicacy and ...
... sense of weakness leaning on the strength of its affections for support , so well as Shakspeare - no one ever so well painted natural tenderness free from affectation and disguise -no one else ever so well showed how delicacy and ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth