Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 5 z 33.
Strana 1
... story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concentrated in consequence ; but the interest becomes ...
... story are thrown into the form of a dialogue , and the intermediate circumstances are explained by the different speakers , as occasion renders it necessary . The action is less concentrated in consequence ; but the interest becomes ...
Strana 2
... story moves forward with increasing ra- pidity at every step ; its various ramifications are drawn from the most distant points to the same centre ; the principal characters are brought to- gether , and placed in very critical ...
... story moves forward with increasing ra- pidity at every step ; its various ramifications are drawn from the most distant points to the same centre ; the principal characters are brought to- gether , and placed in very critical ...
Strana 10
... story , tending to the same point . The effect of this coincidence is rather felt than observed ; and as the impression exists uncon- sciously in the mind of the reader , so it probably arose in the same manner in the mind of the author ...
... story , tending to the same point . The effect of this coincidence is rather felt than observed ; and as the impression exists uncon- sciously in the mind of the reader , so it probably arose in the same manner in the mind of the author ...
Strana 11
... story , and with the scenes in which they are afterwards called on to act . How admirably the youthful fire and impatience to emerge from their obscurity in the young princes is opposed to the cooler calculations and prudent resignation ...
... story , and with the scenes in which they are afterwards called on to act . How admirably the youthful fire and impatience to emerge from their obscurity in the young princes is opposed to the cooler calculations and prudent resignation ...
Strana 46
... story . What a contrast the character of Othello forms to that of Iago ! at the same time , the force of conception with which these two figures are opposed to each other is rendered still more intense by the complete consistency with ...
... story . What a contrast the character of Othello forms to that of Iago ! at the same time , the force of conception with which these two figures are opposed to each other is rendered still more intense by the complete consistency with ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth