Characters of Shakespeare's PlaysTempleman, 1848 - 345 strán (strany) |
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Výsledky 1 - 5 z 47.
Strana xiii
... true , passages , though , comparatively speak- ing , very few , where his poetry exceeds the bounds of true dialogue , where a too soaring imagination , a too luxuriant wit , rendered the complete dramatic forgetfulness of himself ...
... true , passages , though , comparatively speak- ing , very few , where his poetry exceeds the bounds of true dialogue , where a too soaring imagination , a too luxuriant wit , rendered the complete dramatic forgetfulness of himself ...
Strana xvii
... true , various , and profound , with his serious . So little is he disposed to cari- cature , that we may rather say many of his traits are almost too nice and delicate for the stage , that they can only be properly seized by a great ...
... true , various , and profound , with his serious . So little is he disposed to cari- cature , that we may rather say many of his traits are almost too nice and delicate for the stage , that they can only be properly seized by a great ...
Strana 2
... true ; and we think we might cite in proof of this remark , not only the present play , but the conclusion of Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last ...
... true ; and we think we might cite in proof of this remark , not only the present play , but the conclusion of Lear , of Romeo and Juliet , of Macbeth , of Othello , even of Hamlet , and of other plays of less moment , in which the last ...
Strana 3
... true perfec- tion of the female character , the sense of weakness leaning on the strength of its affections for support , so well as Shakspeare - no one ever so well painted natural tenderness free from affectation and disguise -no one ...
... true perfec- tion of the female character , the sense of weakness leaning on the strength of its affections for support , so well as Shakspeare - no one ever so well painted natural tenderness free from affectation and disguise -no one ...
Strana 9
... true is it that folly is as often owing to a want of proper sentiments as to a want of understanding ! The exclamation of the ancient critic , “ O , Menander and Nature , which of you copied from the other ! " would not be misapplied to ...
... true is it that folly is as often owing to a want of proper sentiments as to a want of understanding ! The exclamation of the ancient critic , “ O , Menander and Nature , which of you copied from the other ! " would not be misapplied to ...
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admirable affections answer Antony Apemantus appear banished Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances Claudio comedy comic Cordelia Coriolanus CYMBELINE daughter death Desdemona Dost thou doth Dr Johnson dramatic eyes Falstaff fancy father fear feeling fool fortune friends genius give grace grave Hamlet hath hear heart heaven Henry honour human humour Iago imagination Juliet king lady Lear live look lord lover Macbeth Malvolio manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion Perdita person pity play pleasure poet poetry prince racter refined Regan revenge Richard Richard III Romeo ROMEO AND JULIET scene sense Shak Shakspeare Shakspeare's Sir Toby sleep soul speak speare speech spirit story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth wife youth