 Marner's face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression as a handle or a crooked tube, which has no meaning standing apart.  The Ladies' Companion - Strana 2731861Úplné zobrazenie - O tejto knihe
 | George Eliot - 1861 - Počet stránok 398
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1870 - Počet stránok 816
...faco and figure shrank and bunt themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy now looked as if they had been made to see... | |
 | Chambers W. and R., ltd - 1877 - Počet stránok 464
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1878 - Počet stránok 426
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1883 - Počet stránok 742
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1885 - Počet stránok 564
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1886 - Počet stránok 626
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1887 - Počet stránok 438
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - Počet stránok 416
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
 | George Eliot - 1895 - Počet stránok 474
...face and figure shrank and bent themselves into a constant mechanical relation to the objects of his life, so that he produced the same sort of impression...crooked tube, which has no meaning standing apart. The prominent eyes that used to look trusting and dreamy, now looked as if they had been made to see... | |
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