THE PASTORAL, BY CH. MARLOWE, Referred to Act iii. Sc. 1, of the foregoing Play. COME, live with me, and be my love, A belt of straw, and ivy buds, As precious as the gods do eat, Shall on thy ivory table be Prepared each day for thee and me. The shepherd swains shall dance and sing For thy delight, each May morning: TWELFTH NIGHT; OR, WHAT YOU WILL. PRELIMINARY REMARKS. THE plot of this admirable comedy appears to have been taken from the second tale in a collection by Barnabe Riche, entitled, “Rich his Farewell to the Militarie Profession,” which was first printed in 1583. It is probably borrowed from Les Histoires Tragiques de Belleforest, vol. iv. Hist. viime. Belleforest, as usual, copied Bandello. In the fifth eglog of Barnaby Googe, published with his poems in 1563, an incident somewhat similar to that of the duke sending his page to plead his cause with the lady, and the lady falling in love with the page, may be found. But Rich's narration is the more probable source, and resembles the plot more completely. It is too long for insertion here, but may be found in the late edition of Malone's Shakspeare, by Mr. Boswell. The comic scenes appear to have been entirely the creation of the poet, and they are worthy of his transcendent genius. It is indeed one of the most delightful of Shakspeare's comedies. Dr. Johnson thought the natural fatuity of Ague-cheek hardly fair game; but the good-nature with which his folly and his pretensions are brought forward for our amusement, by humoring his whims, are almost without a spice of satire. It is rather an attempt to give pleasure by exhibiting an exaggerated picture of his foibles, than a wish to give pain by exposing their absurdity. PERSONS REPRESENTED. ORSINO, Duke of Illyria. SEBASTIAN, a young Gentleman, Brother to Viola. VALENTINE,Gentlemen attending on the Duke. CURIO, Lords, Priests, Sailors, Officers, Musicians, and other Attendants. SCENE. A City in Illyria, and the Sea-coast near it. TWELFTH NIGHT; OR, WHAT YOU WILL. ACT I. SCENE I. An Apartment in the Duke's Palace. Enter DUKE, CURIO, Lords; Musicians attending. Cur. Will you go hunt, my lord? What, Curio? 1 The old copies read sound: the emendation is Pope's. Rowe had changed it to wind. In Sidney's Arcadia, 1590, we have "more sweet than a gentle south-west wind, which comes creeping over flowery fields.” 2 Value. 3 Fantastical to the height. This is the usual reading; but may it not have been originally written, "hight (i. e. called) fantastical"? Cur. The hart. Duke. Why, so I do, the noblest that I have: And my desires, like fell and cruel hounds, E'er since pursue me.-How now? what news from her? Enter VALENTINE. Val. So please my lord, I might not be admitted, Shall not behold her face at ample view; Duke. O, she that hath a heart of that fine frame,+ How will she love, when the rich golden shaft Hath killed the flock2 of all affections else That live in her! when liver, brain, and heart, SCENE II. The Sea-coast. Enter VIOLA, Captain, and Sailors. Vio. What country, friends, is this? Vio. And what should I do in Illyria? Illyria, lady. 1 This passage is obscure: perhaps the meaning is, seven summers. 3 Self king signifies self-same king. |