Social and Cultural Dynamics, Zväzok 1

appear architecture artists Ascetic Ascetic Ideational baroque beauty becomes Berlin Buddhism Byzantine art causal century B.C. chant chap Christian classes classical Combarieu criticism cubistic culture mentality depicted dominant Doric order elements empirical Epicurean existence external fifteenth century fifth century fluctuations forms Francesco functional Giovanni Graeco-Roman Greek Gregorian chant Hellenistic Histoire Ibid ideal Idealistic art Ideational and Sensate Ideational mentality Ideational music Ideationalism impressionism impressionistic inner Jainism Leipzig literature logically integrated logico-meaningful mainly major premises means medieval Middle Ages Mixed moral nature nineteenth Nirvana organs painting and sculpture Paris paysage Percentages period phenomena primitive principle purely quantitative reality recurrence religious rococo Roman sculpture secular Sensate mentality Sensate music sense sensual seventeenth similar social sociocultural spatial spiritual stage standpoint symbolic Taoist Terpander theories thirteenth century tion Total traits unity values Visual style Werke XX century