Social and Cultural Dynamics, Zväzok 1

Active Ages appear architecture artists Ascetic aspects association beauty becomes beginning causal century character Christian classes classical complex countries course criticism culture direction discussed dominant elements empirical especially essential existence external fact field figures fluctuations forms functional further give given Greek human Idea ideal Idealistic Ideational Ideationalism important increase individual inner integrated Italy kind later less literature logical mainly material means mentality method mind Mixed moral nature needs nineteenth objects organs painting Paris Percentages period persons phenomena practically present principle problem purely reality reason regard religious remains represented Roman sculpture secular Sensate sense sensual similar social spiritual stage style subjects symbolic TABLE theories things tion traits true turn unit unity values various Visual waves whole