Social and Cultural Dynamics, Zväzok 1Bedminster Press, 1962 - 2912 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 86.
Strana 211
... Idea , and the Idea does not find an adequate expression in Sensate forms . The second type of art , the classical , is based upon an absolutely homogene- ous unity of content and form . 34 Here there is an adequate bridge between the ...
... Idea , and the Idea does not find an adequate expression in Sensate forms . The second type of art , the classical , is based upon an absolutely homogene- ous unity of content and form . 34 Here there is an adequate bridge between the ...
Strana 213
... Idea and Ligeti's Reality ( Sein ) and Appearance ( Schein ) . Both consider painting as the third stage , in which the balance is again disrupted . Besides the similarities in these cardinal points there are many more likenesses in ...
... Idea and Ligeti's Reality ( Sein ) and Appearance ( Schein ) . Both consider painting as the third stage , in which the balance is again disrupted . Besides the similarities in these cardinal points there are many more likenesses in ...
Strana 283
... ideas , and not the likeness of anything on earth . " " The formal element in art represents a purely mental activity ... idea and not merely the shape . " " Thus none of the terms cited by any means implies a view of art as finding its ...
... ideas , and not the likeness of anything on earth . " " The formal element in art represents a purely mental activity ... idea and not merely the shape . " " Thus none of the terms cited by any means implies a view of art as finding its ...
Obsah
Chapter One FORMS AND PROBLEMS OF CULTURE INTEGRATION AND METHODS | 3 |
Sequence of Blossoming of the Main Arts in Ten Great Cultures | 8 |
Fluctuation of Social Classes and Sexes in Portraiture | 27 |
Autorské práva | |
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Časté výrazy a frázy
Active Ideational appear architecture artists Ascetic Ideational aspect baroque becomes Brahmanic Buddhism Byzantine art causal century B.C. chap Christian classes classical complex Confucianism cubistic culture mentality Deonna depicted dominant elements empirical Epicureanism existence external fifth century fluctuations functional G. G. Coulton given culture Graeco-Roman Greece Greek Gregorian chant Hellenistic Hinduism human Ibid ideal Idealistic art Ideational mentality Ideational style Ideationalism ideoplastic impressionism impressionistic individual Jainism linear logically integrated logico-meaningful Lysippus major premises malerisch means medieval Mixed mystic nature nineteenth Nirvana objects organs painting and sculpture paleolithic passim paysage Percentages period phenomena Phidias portraits primitive principle purely qualitative quantitative reality recurrence religion religious rococo Roman sculpture secular Sensate mentality Sensate music sense sensual similar social sociocultural spatial spiritual stage standpoint symbolic Taoism theories thirteenth century tion Total Numbers traits unity values various Visual art Visual style